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I am an artist who experiments with interactions. By testing the reactions between various art media and subject matter, my intent is to allow connections between different ideas, images and objects to reveal a new understanding for both the observer and the artist. My process often employs chance operations, the notion of “play”, and spontaneous creation. These techniques are then worked and reworked until some sort of balance between the conscious and subconscious is reached. My work often involves the absurd, created identity, coincidence, ritual, personal anecdote, and humor.
My paintings and sculptures bridge ancient and modern sensibilities. The subjects are often classical figures and portraits, but my use of materials is pure expressionism. I am most comfortable working in large scale. It is a great format for viewers to “step into” and experience. My approach to my work includes both tradition and intuition. I pay careful attention to proportions, values, scale, and especially contrast. I begin by capturing my subject in a representational fashion. Once this foundation is made I then switch to a more contemporary mindset. I begin to view the painting more abstractly focusing on form and surface. Design and linear elements, colors, metals, and patinas begin to work into the piece and often completely cover the substructure. I tend to experiment with various media like tar, metallic latex, and even resin. I view my work upside down or view them through a mirror to find harmony in the mix. This phase is rather spontaneous and intuitive. Some of my work comes together quickly while others evade me for months even years. There is a close relation between how I work and the way I live. My worldview is grounded in reality, guiding principles and what I believe to be true. If I live or paint by only what I can see or understand there is no room for invention. At the same time, the freedom and joy of exploring new potentials, if not grounded becomes lost and has no direction. There is a necessary balance between what is real and our freedom to create, interpret and explore within this reality. What really makes my art alive is both embracing this concept and exposing the contrasts.
Casey creates rich paintings with multi-media surfaces that are both visually intriguing, and full of energy; incorporating expressive color, movement, and strong elements of design. The work combines emotional content, technique, exploration, and reinvention. It is a form of vague communication in an attempt to achieve balance and beauty. Her studio is located in historic downtown Fernandina Beach, FL.
One of the most arresting visuals for me is an old wall layered with papers, graffiti and text- our modern hieroglyphics. I try to re-create this beauty in my work, the layers of time and decay are what interest me. I hope that the person viewing my work will linger, trying to discover hidden imagery and text and depending on their life experience, find their own meaning or interpretation. Found images and objects function as signifiers of both individual and collective experience. By incorporating materials that are linked to the realities of daily life, I strive to establish an immediate identification between the viewer and the work of art. I am exploring the place between “high art” and popular culture, text and image, figuration and abstraction, past and present , and two and three-dimensional space. I begin working without a final vision in mind: I use collected materials and allow pattern, texture, color and structure to emerge organically