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Barbara Flowers

Every day Barbara looks forward to creating art that will convey the same sense of beauty to the viewer that inspired the artist. She approaches her canvas with a concept and allows her mind, body and the inspiration found in her faith in God to bring the concept to fruition. Barbara's art may include energetic brushwork, palette knife work, soft passages of blended paint or a heavy build-up of paint. She strives for just enough variety without too much unity so as to capture the viewer’s attention.

Doug Kennedy

I use traditional methods of painting, oil, acrylic, pencils, sometimes collage, to capture moments of action that lead me to a place of visual harmony. I start with the canvas outside on the ground and work as I walk around it. I then stretch the canvas in my studio, then there is a long process of work and examination. The piece is complete when it reaches its own harmony.

Tracey Lane

Tracey Lane's richly, textured paintings in acrylic are a celebration of the mystery of nature, and the promise and complexity of life that exists in nature. "I'm mostly inspired by the quiet drama of nature – trees bending toward the light, silent reflections, sunlight breaking through clouds," says Lane. "More recently, I've begun to explore the 'flesh and blood' wildness of nature through birds" and other wildlife, which, says the artist, are ubiquitous reminders of our important and often shunned responsibilities as stewards of the earth. Lane approaches her mixed media works on panel with energy and brisk movement. Paint is sometimes left dripping on the panel to dry, and other times applied with palette knives in a rich impasto. "My paintings are about the experience of light and shadow, color and texture – the play between the seen and the unseen, and memory and imagination," says Lane. A resident of Atlanta, Lane earned her bachelors and masters degrees in art history from Emory University in Atlanta. She began painting a series of studies of trees following time spent in the North Carolina mountains near Asheville, though Lane says these works are not intended as literal interpretations of the landscape but rather symbols of life itself. "Even though I'm painting trees they're all self-portraits in a way," says Lane, who quotes the late German romantic painter Casper David Friedrich, who said: "The pure, frank sentiments we hold in our hearts are the only truthful sources of art."

Charles E. Walker

My work is primarily interested in some of the more intangible aspects of the human experience - mood, tone, and the atmospheric nature of how we as humans perceive the world. I don't look to art to tell a story, to take up issues - whether social or political. All I look to art to do is to simply exist and in so existing to express something in the simplest and most direct manner possible.