I am inspired by ancient, worn temple walls and the virtue of, Japanese print maker, Utamaro’s design fluency. I am equally inspired by minimal purities of the power of color, color’s reaction to other color, and pure mark-making. Mark-making represents to me a record of time and activity while exposing the artistic process and its vulnerabilities. The spontaneous scraping and layering in these works impart energy and capriciousness atop a weathered undertone. My work intends to create a story of continuity between the past and present by collaging small bits of, what I consider contemporary graphic symbolism with nature references. This lexicon is meant to bridge the healthy, tangibility of nature with a certain positivity regarding our modernity. Ultimately, I hope these paintings resonate with a broad spectrum of people, engaging the viewer in present time with a modern beauty created through worn surfaces and contemporary imagery.