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My work today is a culmination of many years of painting, thinking and experiencing. My urban pop expressionist work is created by sifting through material to find just the right imagery that connects to establish a particular narrative. This art mixes my background of typography, mixed media collage, abstract expressionism and cubism.
My works are about visual perception and the ways in which the face or body or sometimes even a simple cup responds to the color, line, texture or pattern. The "Thing" or "Subject" by itself, surrounded by "Great Nothing", is my excitement. I try to establish a very private dialog between the viewer and the subject matter of my painting. It is a simple and sincere conversation without any unnecessary details.
Every day Barbara looks forward to creating art that will convey the same sense of beauty to the viewer that inspired the artist. She approaches her canvas with a concept and allows her mind, body and the inspiration found in her faith in God to bring the concept to fruition. Barbara's art may include energetic brushwork, palette knife work, soft passages of blended paint or a heavy build-up of paint. She strives for just enough variety without too much unity so as to capture the viewer’s attention.
As an artist, I find difficult to answer: is it I who defines painting or is it painting that defines me... Either way, it is both a transpersonal and a narcissistic relationship. The process of painting creates a state of Liminality, which leads to the discovery of my own essence. It is like writing a fable, one without words and one that is rather suggestive in nature. In that progression, I forget all that I know, for originality can only be achieved by reaching into my infinite possibilities. The abstract mechanics of art are same as making music, where the musician by use of an instrument transcends the process of playing; a painter transcends the limitation of medium, thus creating work that can produce an emotional response. And when that happens, art completes life, bringing to focus what nature cannot bring to finish.
I use traditional methods of painting, oil, acrylic, pencils, sometimes collage, to capture moments of action that lead me to a place of visual harmony. I start with the canvas outside on the ground and work as I walk around it. I then stretch the canvas in my studio, then there is a long process of work and examination. The piece is complete when it reaches its own harmony.